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Fantastic beasts: China’s auspicious creatures

  • There are countless living and inanimate things in the world, but some, like a pine tree or a gourd or a sea turtle have special meanings
  • We all know about China’s love of dragons, but the qilin, seen in the main image above, from the movie Shang Chi and the Legend of the Ten Rings, is much more intriguing
  • These “auspicious figures”, identified thousands of years ago, underpin Chinese celebrations today

AUSPICIOUS FIGURES OFTEN reflect characteristics of the groups who adopt them. As life is about survival, it is human nature to see some things as omens and others as auspicious signs. This is understandable when one considers ancient humans often faced sudden disasters or suffered in harsh circumstances. They did their upmost to pursue a safe and happy life.

What kind of life could be considered happy? Most people considered a life graced with the “five blessings” to be a happy life.  

  • Health (壽)
  • Wealth (富)
  • Long life (康寧)
  • Love of virtue (yu hao te 攸好德) and
  • Peaceful death (考終命)


Auspicious figures, used to express a desire for a good life, are deliberately created from the attributes and characteristics of the figure itself. The development involves transforming inherent properties into symbols of good fortune by relying on homophones, myths, legends, and the artisan’s craftsmanship. We can learn about these people, their lifestyles and what they cherished from these auspicious symbols.

Auspicious figures fall into four major categories:

  • longevity,
  • wealth,
  • long family lines, and
  • joyous occasions.
This remarkably modern-looking illustration of a dragon was created as part of scroll by Chen Rong in AD 1244, and is in the Museum of Fine Arts in Boston


Traditional Chinese culture emphasizes happiness, longevity, well-being and tranquillity. Longevity is particularly important. The ancients believed that the destiny of a person’s life was bestowed by heaven and cannot be undone by humans. The Bei shi (History of the Northern Dynasties) says: “Among all precious things that humans treasure, nothing is more precious than life.”

In ancient times, humans often fought against the natural environment for their own survival, and the auspicious figures they selected often had something to do with “longevity”—deer (the word in Chinese is a homophone of “high-ranking official”), cranes, pine trees, peaches, zithers (representing harmony), and longevity stones (pagodite or agalmatolite).


“Wealth” in the eyes of the Chinese refers to the quantity of private property. In fact, the ancients most desired the “five blessings” as indicated in the Shang shu (Classic of documents)—longevity, prosperity, well-being, and tranquility, “the love of virtue”, and “to die peacefully after a long life”; or in more modern terms “good fortune,” “emoluments of office,” “happiness,” and “fortune.”

Most of the wishes involve the concept of wealth. Such auspicious objects include: goldfish, carp, peony, oranges, a treasure basin (or cornucopia), and the civil and military Gods of Wealth.


A common Chinese expression is “to have a growing family”; it expresses the aspirations of countless generations of Chinese people, especially among the ancient people who did not have the concept of birth control. The desire to produce and have an heir can be seen everywhere in traditional Chinese customs and culture.

For example, the expressions “Child-bestowing Guanyin,” “the guardian spirit of sons,” “Having sons is like adding lights to the house,” “the child-delivering qilin” can be heard and seen everywhere. This indicates that having children and their children having children are common auspicious occasions along with wishes for “blessings, high rank, longevity, happiness, and wealth.”

The figures associated with these include rabbits, chickens, lilies, pomegranates, and the written phrases “Guanyin delivers a child,” and the “four-happiness.” 


Festivities refer to things worthy of joy and celebration. In traditional Chinese culture, they can be described by the widely-circulated poem “Four Happinesses” by Wang Zhu (who lived during the Northern Song, and in 1100 passed the jinshi exam):

A genial rain after a long drought,

Running into an old friend away from home,

The wedding night in the nuptial chamber with candle light,

One’s name on the list of successful candidates who sat the civil examination.

Four Happinesses by Wan Zhu, AD1100

Symbols associated with joy and celebration include: magpies, bats, gourds, bamboos, money and chickens made from cloth, and ruyi “scepters” (an S-shaped rod symbolizing good fortune). 


In addition to the animals mentioned above, the Li ji (Record of rites) names others:

“The qilin (or unicorn), the phoenix, the turtle (or tortoise), and the dragon; these are called the four efficacious creatures. When the dragon becomes a domestic animal, (all other) fishes and the sturgeon do not lie hidden from men (in the mud). When the phoenix becomes so, the birds do not fly from them in terror. When the qilin does so, the beasts do not scamper away. When the tortoise does so, the feelings of men take no erroneous course.”

Qilin statue in Pingzhen Xinshi Park; picture by Foxy1219

The ancients considered the qilin the king of the beasts, the dragon the king of scaled creatures, the tortoise the king of shelled fish, and the phoenix the king of the birds. The ancients believed that the four efficacious creatures control all living creatures in the universe—they not only are friendly to humans, they are also auspicious and festive omens.

Professor Zhong Fulan teaches at East China Normal University in Shanghai. This piece was written for the Academy of Chinese Studies in Hong Kong and is used with permission.

For more Chinese culture features click here.

Image at the top copyright: Walt Disney Productions

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